Most of my work is analog. I use actual paper, dip pens with India ink, pencils, watercolor and anything else I happen to have in my studio. Then I scan the image and work on it digitally in Photoshop, maybe changing the color a bit or touching up small imperfections. The temptation is there to overwork something and lose the authentic touch, so I have to give myself internal time limits. I am fast, reliable and always meet my deadlines. I love facing the challenge of each commission and changing my style to meet the needs of each project.