Most of my work is analog. I use actual paper, pens, pencils, water-colour and anything else I happen to have in my studio. Then I scan the image and work on it digitally in Photoshop, usually changing the color a bit or touching up small imperfections. The temptation is always there to overwork something and lose the authentic touch, so I often have to give myself internal time limits. I am fast and reliable, always meet my deadlines. I love facing the challenge of each commission and changing my style to meet the needs of each project.